Worksheet
One Project, Two Voices
Compare an original science fair story with a live read-aloud, examining how voices, pauses, and sounds shape a scene.
Grade 6ELAInteractive · Printable
Aligned toRL.6.7
What’s included
- Single worksheet
- Auto-graded online
- 1 Common Core standard
- Printable answer key
- 12 questions
- Classroom-ready
Details
- Format
- Interactive · Printable
- Grade
- Grade 6
- Subject
- ELA
- Question types
- Multiple choice, Matching, Circle the answer, Short answer
About this worksheet
What students practice
- Students contrast details they imagine while reading with details they hear in a performed adaptation.
- Students explain how vocal delivery, pauses, and sound effects shape a listener's understanding of a scene.
How to use
Have students read the story and answer questions 1–3. Keep the performance script covered while an adult reads it using the italicized cues. Read it twice, then uncover it for questions 4–12. Do not speak the cues aloud.
Curriculum
Common Core standard covered
Compare reading a story, drama, or poem with listening to or watching it, contrasting what you picture with what you see or hear.
Preview
OwlSheets.com
One Project, Two Voices
Compare the scene you imagine with a live read-aloud performance.
Read and Imagine
Read the story silently. Answer questions 1–3 before hearing the performance. Notice the voices, movements, and sounds you imagine.
The Space Between the Plans
1At a worktable after school, Zadie slid a drawing toward her friend Rohan. Their science fair proposal was due the next morning. Her design showed two insulated boxes beneath a lamp. They would compare how different materials kept the boxes cool. Rohan placed his own sketch beside hers: a small wind turbine with carefully labeled blades.
2“Mine would actually move,” Rohan said. He tapped the blades with his pencil. Zadie flattened a curled corner of her paper. She had spent the previous evening listing supplies they could borrow. Rohan had spent his evening watching turbine demonstrations. Neither had asked what the other was planning.
3“That would be impressive,” Zadie said. She could picture visitors crowding around spinning blades. But she could also picture their borrowed fan refusing to spin them. “We have ten days. How would we measure what it does?” Rohan pushed his sketch closer. “We could figure that out.”
4Zadie pulled her supply list from beneath her drawing. “I thought we were choosing something we could test.” Rohan's pencil stopped tapping. From the hallway came the scrape of a chair. For a moment, neither friend spoke. Zadie wondered whether her words had sounded like a judgment about his idea—or about him.
5Rohan looked at the neat columns on her list. “You already planned everything.” Zadie opened her mouth, then closed it. She had expected him to approve her design, just as he had expected her to admire his. She turned over a clean sheet. “What do you want our project to show?”
6“A change we can measure,” Rohan said after a pause. He drew two empty columns on the clean sheet and labeled them “questions” and “tests.” Zadie moved both sketches aside, but kept them within reach. They had not chosen a project when the custodian called that the room was closing. This time, they left with one page between them.
- A. Rohan has already decided to work without her.
- B. Her project requires more supplies than his.
- C. Both friends expected approval instead of discussion.
- D. Their teacher expects them to combine their designs.
Rohan looked at the neat columns on her list.Zadie opened her mouth, then closed it.She had expected him to approve her design, just as he had expected her to admire his.She turned over a clean sheet.
Listen to the Scene
Keep the script covered during both readings. Listen for how the reader performs the disagreement and the ending. After listening, uncover the script to check specific details. Italicized cues guide the reader and are not spoken.
Read-Aloud Adaptation
1[Narrator: use a steady, conversational voice.] At a worktable after school, Zadie and Rohan spread out their science fair sketches. Zadie had drawn two insulated boxes beneath a lamp. Rohan had drawn a wind turbine. Their proposal was due the next morning, and each friend had arrived expecting to explain the best idea.
2[Rohan: speak quickly and brightly.] “Mine would actually move.” [Tap a pencil three times.] Rohan pointed to the blades. Zadie flattened her paper. [Zadie: sound sincerely admiring on the first sentence, then slower and questioning.] “That would be impressive. We have ten days. How would we measure what it does?” [Rohan: speak quickly.] “We could figure that out.”
3Zadie pulled out her supply list. [Zadie: speak firmly, but do not shout.] “I thought we were choosing something we could test.” [Make one brief chair-scraping sound. Pause for four seconds.] Rohan studied the neat columns. [Rohan: speak quietly and slowly, with a falling voice.] “You already planned everything.”
4Zadie opened her mouth, then closed it. She had expected approval, too. [Rustle a sheet of paper. Zadie: use a gentler, inviting voice.] “What do you want our project to show?” [Pause for two seconds. Rohan: speak slowly and thoughtfully.] “A change we can measure.” He drew columns labeled “questions” and “tests.”
5[Narrator: return to a steady voice, slowing slightly on the final sentence.] Zadie moved both sketches aside, keeping them within reach. The room was closing, and they still had no project. Yet they were no longer guarding separate plans. They had begun a different kind of work: deciding which questions they wanted to ask together. They left with one page between them.
Compare the Experiences
Use the story and the performance. For questions about delivery, refer to the performance you heard and its printed cues.
- A. He feels hurt that he was left out of the planning.
- B. He feels relieved that his own work is finished.
- C. He feels amused by the number of supplies listed.
- D. He feels excited to begin testing Zadie's boxes.
- A. The narrator begins with a steady, conversational voice.
- B. The reader taps a pencil after Rohan introduces his design.
- C. Zadie speaks firmly when she asks about choosing a test.
- D. Rohan delivers the line quietly, slowly, and with a falling voice.
- A. It replaces the uncomfortable moment with a narrator's explanation.
- B. It makes listeners experience a set length of waiting between lines.
- C. It lets listeners watch the friends avoid each other's eyes.
- D. It moves the uncomfortable moment until after the friends leave.
- Quick, bright delivery of “Mine would actually move.”
- One brief chair-scraping sound
- Gentler, inviting delivery of Zadie's final question
- Paper rustling before Zadie's final question
- A. A physical action involving a sheet
- B. A shift toward welcoming a partner's ideas
- C. Early enthusiasm about a proposed design
- D. A background noise during the disagreement
- A. The length of the pause after the scraping sound
- B. The change in Zadie's tone during her final question
- C. The exact appearance of the blades in Rohan's sketch
- D. The sound of a sheet being moved on the worktable
- A. Its admiring tone presents her praise as genuine rather than mocking.
- B. Its angry tone presents her praise as criticism rather than support.
- C. Its whisper makes the words a private remark rather than dialogue.
- D. Its hurried tone makes her sound distracted rather than interested.
- A. It adds a decision to build the turbine before the room closes.
- B. It removes the shared page and ends with the separate sketches.
- C. It adds a teacher's explanation of which experiment will succeed.
- D. It explains their new cooperation more directly through narration.
- A. The story mentions the proposal deadline; the adaptation also mentions the deadline.
- B. The story ends with one shared page; the adaptation also explains their shared questions.
- C. The story describes two sketches; the adaptation also identifies both proposed designs.
- D. The story includes a supply list; the adaptation also describes its neat columns.
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