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The Voice Missing from the Op-Ed worksheet preview

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The Voice Missing from the Op-Ed

Practice narrative openings, dialogue, vivid details, pacing, and endings through a story about a student writing a coding-class op-ed.

Grade 6ELAInteractive · Printable

Aligned toW.6.3

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What’s included

  • Single worksheet
  • Auto-graded online
  • 1 Common Core standard
  • Printable answer key
  • 13 questions
  • Classroom-ready

Details

Format
Interactive · Printable
Grade
Grade 6
Subject
ELA
Question types
Fill in the blank, Multiple choice, Matching, Circle the answer, Short answer

About this worksheet

What students practice

  • Students establish a narrator, setting, and conflict in a narrative plan.
  • Students use dialogue, sensory details, and pacing to develop a sequence of events.
  • Students write an ending that follows from a character’s actions and choices.

How to use

Read the model narrative and complete the craft questions. Then use the planning prompts to develop a new scene about the student’s reporting decision.

Curriculum

Common Core standard covered

W.6.3

Tell a story, real or made up, with a narrator or characters, vivid details, dialogue and pacing, and an ending that follows from what happened.

Preview

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Name Date

The Voice Missing from the Op-Ed

Build a narrative around a student’s decision while writing about a coding class.

Read Like a Writer

Read the model narrative. An op-ed is an article that argues for an opinion. This story focuses on what happens while a student writes one.

Before I Pressed Send

1By Thursday afternoon, my op-ed had a headline: “Make Room for a Coding Class.” I, Zadie, had collected comments from students who already made games and websites at home. Their answers filled my notebook. The article was due before the school newspaper meeting, and I wanted my name on the opinion page.

2I carried my laptop to the student workroom to finish. Across the table, Ren was drawing boxes on a course-request form. When I explained my article, he tapped his pencil against an empty box. “Would the class be for people who already know how?” he asked. “I share a computer with three other people. I’d need to start at the beginning.”

3I pulled my hands into my lap. Somewhere down the hall, a locker door clanged shut. I had interviewed six experienced coders, but not one beginner. The cursor blinked after my sentence about what students needed. I counted its flashes instead of typing.

4“Can I ask you a few questions?” I said, turning to a clean notebook page. Ren set down his pencil. He described wanting to understand error messages instead of closing them. As he spoke, I wrote a question I should have asked earlier: What would make a first coding class welcoming? The meeting reminder appeared on my screen.

5I could send my polished draft now, or ask the editor for another day. My thumb rested on the trackpad. Then I opened a new message. “I need more reporting,” I typed. “My article leaves out students who would be learning this for the first time.” The reply arrived a minute later: “Bring the revised version tomorrow.”

6At Friday’s meeting, my article still argued for a coding class, but now it called for a beginner course with computer access during school. Ren’s question appeared near the opening. When the editor read it aloud, I stopped checking whether my name fit beneath the headline and listened to the words that followed.

1.
Which description correctly identifies the model’s narrator and point of view?
  • A. Ren tells the story in first person, describing his conversation with Zadie.
  • B. Zadie tells the story in first person, revealing her thoughts and choices.
  • C. An outside narrator tells the story, describing both students’ private thoughts.
  • D. The editor tells the story in first person, explaining the newspaper’s decisions.
2.
Which statement best describes how the writer controls pacing in paragraph 3?
  • A. Small actions stretch a brief pause, emphasizing Zadie’s discomfort.
  • B. A list of interviews moves quickly through several days of work.
  • C. A sudden conversation interrupts Zadie’s description of the room.
  • D. A preview of the meeting shifts attention toward the next day.

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