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The Story Behind the Skate Park Op-Ed worksheet preview

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The Story Behind the Skate Park Op-Ed

Practice narrative techniques through a student skate park op-ed, then plan and write a short story with a consistent point of view.

Grade 7ELAInteractive · Printable

Aligned toW.7.3

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What’s included

  • Single worksheet
  • Auto-graded online
  • 1 Common Core standard
  • Printable answer key
  • 14 questions
  • Classroom-ready

Details

Format
Interactive · Printable
Grade
Grade 7
Subject
ELA
Question types
Multiple choice, Matching, Circle the answer, Short answer

About this worksheet

What students practice

  • Students analyze how dialogue, description, and transitions develop a narrative.
  • Students establish a situation and maintain a consistent narrative point of view.
  • Students write a focused narrative with a logical sequence and a reflective ending.

How to use

Read the model as a student op-ed that uses a personal story. Complete the craft questions, then use the planning responses to write an original narrative for a skate park op-ed.

Curriculum

Common Core standard covered

W.7.3

Write a story from real or imagined events, setting up a situation and point of view, and using dialogue, description and transitions to move the plot along.

Preview

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Name Date

The Story Behind the Skate Park Op-Ed

Shape a personal experience into a focused narrative.

Read the model

This fictional student op-ed includes a personal narrative. Study how the writer turns an experience into a story.

Before We Draw the Ramps

1When our town invited ideas for the empty lot beside the recreation center, I began an op-ed supporting a skate park. My first draft listed ramps, rails, and benches as if ordering equipment would settle everything. Then my cousin Dario asked whether I had actually talked to anyone who might use it. On Saturday, I carried my notebook to the lot.

2Dario arrived with his skateboard tucked under one arm. The fence rattled in the wind, and a loose sign tapped against a post. I kept my notebook closed because I feared that my questions would reveal how little I knew about skating. Across the street, two younger students balanced on boards while an adult watched. Dario waited beside the gate.

3“Where would you put the biggest ramp?” I asked, finally opening the notebook. Dario looked past me toward the sidewalk. “Before that, where would someone learn to stop?” I had expected him to describe a spectacular trick. Instead, he pointed to the younger students, who stepped off their boards whenever they gathered speed. I crossed out the heading Biggest Features.

4A moment later, a board rolled toward the curb. Its rider jumped off and caught it before it reached the street. The wheels made a dry clatter over the pavement cracks. My pen hovered above the paper while Dario walked over to ask whether the students wanted to share ideas. I followed, although approaching strangers had not been part of my plan.

5By the time we returned to the gate, my page held a different list: a smooth practice area, room between beginners and faster riders, and somewhere for people to sit. One student had asked for a place to rest without blocking anyone's path. I drew a rough layout, then handed the notebook to Dario. “Show me what I've missed,” I said.

6That evening, I moved my original equipment list below the account of our visit. Readers needed to understand whose needs those features might meet. I still want our town to build a skate park, but I no longer picture an empty lot filled only with impressive ramps. I picture the student checking the space ahead before pushing off, and I leave room on my page for another suggestion.

1.
Which feeling should a writer preserve when retelling the narrator's arrival in paragraph 2?
  • A. Self-consciousness about appearing unfamiliar with skating.
  • B. Disappointment that the younger students refuse to speak.
  • C. Frustration that Dario has arrived without a useful plan.
  • D. Confidence that the equipment list already meets local needs.
2.
Underline the sentence from paragraph 2 that directly reveals the narrator's worry about seeming inexperienced.

Dario arrived with his skateboard tucked under one arm.The fence rattled in the wind, and a loose sign tapped against a post.I kept my notebook closed because I feared that my questions would reveal how little I knew about skating.Across the street, two younger students balanced on boards while an adult watched.Dario waited beside the gate.

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