One Voice, Four Boxes
1The Harbor Lane Community Music Studio lets teens record their own songs on weekends. Eighth grader Elan Prescott is recording a vocal track with the studio's sound engineer, Ms. Sabine Okonjo. A microphone turns the sound wave of Elan's voice into an electric signal, a voltage that rises and falls in step with the wave. Before the signal reaches the recorder, it passes through four boxes: a preamp that makes it stronger, a compressor that evens out loud and soft parts, an equalizer that adjusts high and low pitches, and a reverb unit that adds an echo like a large hall.
2The studio can connect the boxes in two ways. In the analog chain, each box works on the smooth voltage itself, and cables carry that voltage from box to box. Every box and cable adds a tiny amount of noise, small random changes in the voltage that are heard as hiss. In the digital chain, a converter right after the microphone digitizes the signal. It measures the voltage 48,000 times each second and rounds each measurement to the nearest 0.01 V. Each rounded measurement is stored as a number and sent from box to box as a pattern of on and off pulses. The boxes change the numbers by calculation, and each box only has to decide whether each pulse it receives is on or off.
3To compare the two chains, Ms. Okonjo followed a single measurement. At one instant of Elan's voice, a meter at the microphone read 0.437 V. For this test she set every box to pass the signal along without changing it on purpose, so any change in the value came from noise or from rounding. Table 1 shows the value at that instant after each step in both chains.
4Next, Elan stood silently in the vocal booth while each chain recorded 10 seconds with every box switched on. Ms. Okonjo measured the hiss in the silent recording on the studio's meter, where 0 means no sound at all. She plugged the recorder in after one, two, three and then all four boxes. Table 2 shows her readings. Listeners in the studio usually hear hiss when the meter reads 5 or more.