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The Other Side of the Table
Analyze scene changes, a soliloquy, stage directions, and repetition in an original drama about arguing an unwanted debate position.
Grade 7ELAInteractive · Printable
Aligned toRL.7.5
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What’s included
- Single worksheet
- Auto-graded online
- 1 Common Core standard
- Printable answer key
- 13 questions
- Classroom-ready
Details
- Format
- Interactive · Printable
- Grade
- Grade 7
- Subject
- ELA
- Question types
- Multiple choice, Matching, Circle the answer, Short answer
About this worksheet
What students practice
- Students analyze how a soliloquy reveals a conflict that public dialogue conceals.
- Students explain how scene order, repetition, and stage directions contribute to a drama’s meaning.
- Students support interpretations of dramatic structure with specific textual evidence.
How to use
Read the drama silently or assign speaking roles. Have students distinguish what the audience learns privately from what the characters hear publicly before answering.
Curriculum
Common Core standard covered
Analyze how the form or structure of a drama or poem, such as a soliloquy or sonnet, adds to its meaning.
Preview
OwlSheets.com
The Other Side of the Table
Analyze how a drama’s structure reveals a speaker’s changing understanding.
Read the drama
Read the original short drama. Bracketed text gives stage directions; the numbered paragraphs help you locate evidence.
The Other Side of the Table
1[Scene One. A classroom before a practice debate. Two desks face each other. Veda unfolds an assignment slip while her teammate, Samir, sorts blank cards.] VEDA: Assigned lunch seats for the first month? And I’m defending them? SAMIR: That’s the draw. VEDA: A table isn’t a seating chart. We should choose where we belong.
2SAMIR: Then find the strongest argument against yourself. VEDA: Easy advice from the side you already like. SAMIR: I asked for assigned seats when I transferred here. VEDA: You did? SAMIR: Walking in was easy. Choosing a table felt like interrupting six conversations at once. [He leaves to collect the timer.]
3[Alone, Veda places her assignment slip beneath an empty chair.] VEDA: I could call his problem temporary. I could say he should have asked somebody. That would sound neat in a speech. [She moves the slip onto the desk.] But I didn’t ask him to sit with us. I thought he liked eating quietly. If I say that out loud, I’ll have to hear it.
4[The doorway remains empty. Veda faces the chair as though someone occupies it.] VEDA: I still want to choose my seat. I just assumed everybody started with a choice worth making. Maybe a seating chart could be a beginning, not a sentence. [She writes on a card, crosses out one line, and keeps writing.]
5[Scene Two. Later. The desks now face an audience. Samir sets the timer between them. Veda holds her cards with both hands.] SAMIR: Ready? VEDA: Ready enough. [She turns her first card facedown.] Students should be able to choose their friends. That is why a short period of assigned seating deserves a fair hearing.
6SAMIR: How does removing a choice protect it? VEDA: It might create introductions before the usual groups close around themselves. SAMIR: Or put somebody beside a person who makes lunch miserable. [Veda separates two cards, then lays one aside.] VEDA: Yes. Students would need a private way to request a change. My argument needs that condition.
7SAMIR: So you support assigned seats now? [Veda glances toward the empty chair from Scene One.] VEDA: I support taking your reason seriously. That isn’t the same thing. A table isn’t a seating chart. But a blank chair doesn’t automatically mean a welcome.
8[The timer sounds before Samir can answer. Neither student reaches for the score sheet.] SAMIR: That last part wasn’t on your first card. VEDA: No. [She puts the unused card in her pocket instead of throwing it away. The two desks remain facing the audience as the lights fade.]
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